This new Long GOP-based codec has a data rate that is less than half that of the conventional Intra codecs. In addition to the conventional Intra-based XF-AVC codecs, a 4:2:2 10-bit Long GOP-based codec has been added with consideration for a balance of quality and data rates. Canon Cinema RAW Light offers a great combination of codec efficiency and quality. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1/3 to 1/5 the size of Canon Cinema RAW. Thanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3″ rotating touchscreen LCD unit with full controls, grip, and thumb rest. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The camera features up to 12G-SDI output over a single BNC cable, timecode I/O, and genlock input BNCs. Canon’s Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Proxy recording is also supported, which allows a significant boost to your post-production speed.įor more flexibility during post-production, the camera also offers Canon’s Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. Canon’s Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor’s raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The mount is also interchangeable with a separately available PL mount by the end user. The EF lens mount offers compatibility not only with Canon’s existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. This is certainly not a camera for anyone other than the absolute professionals and the price tag makes it perfectly clear.Canon EOS C300 Mark III Digital Cinema Camera BodyĬreate cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. Unfortunately, all the quality and performance does not come for cheap and as is usual for Canon Cinema cameras, the C300 Mark II comes with an eye watering price, $16,000 in this case. The camera also supports Canon Dual Pixel CMOS AF over 80 of the total image area. The camera also has extremely wide 15-stop wide dynamic range so you can be sure to capture all the details in the bright and the dark areas. The camera supports the new Canon Log Gamma 2 profile that allows headroom for color grading in post. The camera can record in Full HD (1920×1080), 2K DCI (2048×1080), 4K UHD (2840×2160), and 4K DCI (4096×2160), all of which can be recorded internally on CFast 2.0 memory cards or output to an external recorder through built-in 3G-SDI ports. The sensor is capable of shooting up to ISO 102,400 and sensor readout has been sped up by two times over the previous one to reduce rolling shutter distortion. Canon has also developed a new XF-AVC codec that allows recording 10-bit 4:2:2 4K image internally without having to rely on an external recorder. The C300 Mark II has a new 8.85 megapixel super 35mm CMOS sensor coupled with Dual DIGIC DV 5 image processor. The C300 Mark II has a new super 35mm sensor and 4K internal recording and 15-stop wide dynamic range. Canon has announced the latest flagship member of its cinema line of EOS cameras.
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